Press Information Bureau, Government of India. Arnab Jan 9 April It was actually a moidam grave of Joymoti. Technicians were brought in from Lahore; ice, transported from Calcutta. Sati Jaymati was a Sati because of her devotion to her husband. She even implored Godapani with signs and signals to move away from that place, or else he would be caught and put to prison, in which case her plan of building an empire with sound socio-economic and political scenario with Gadapani as king would be reduced to nought. When Loraa Roja’s soldiers failed to trace out Godapani, his wife Joymoti Konwari was summoned to the king’s palace and she was asked to divulge the hiding place of Godapani. This article about an Assamese film is a stub.
Sati Joymoti is herself an epochmaking episode in the history of Assam, and in the history of the world. It was released in the year Retrieved from ” https: She was a visionary, who through sheer foresight and unflinching determination, saved the Ahom kingdom at a time when it was passing through one of its worst crisis, marked by grave political instability. Unable to marshal the actors once again from their native places due to various constraints, he hired a sound studio and dubbed the voices of all male and female characters. Then, in , popular Assamese story-writer, novelist, engineer, actor, screenwriter and documentary film director Arnab Jan Deka , recovered the original intact print of the film, containing the entire footage, at a Studio in Bombay. Joymoti , a study of the culture and history of Assam , carried with it the bright possibility of a film tradition.
After continuous physical torture over 14 days, Joymoti died on 13 Choit of Saka, or 27 March It was released in the year Proceedings of the Indian History Congress.
Joymoti’s self-sacrifice would bear fruit in time: When the rain stopped, the banana stumps used to build the splendid Ahom court dried out under the sunlight, yet filming continued – japis ingeniously fastened over the dry patches. For her love and her supreme sacrifice for husband and country, folk accounts refer to her as a Soti.
Arnab Jan 9 April She was a visionary, who through sheer foresight and unflinching determination, saved the Ahom kingdom at a time when it was passing through one of its worst crisis, marked by grave political instability. He then brought together the other chosen actors, of whom some had never seen a film, to acquaint them with his characters.
This was inspired by Jyoti Prasad’s desire to liberate cinema from that “uncertain” reputation. The garden, where Jyoti Prasad single-handedly laid the foundation stone of Assamese assamwse, now lies abandoned. Retrieved from ” https: Views Read Edit View history. The ministers, now roused to a sense of patriotism, sent out search parties for Gadapani who, gathering his strength, returned from his exile in the Garo Hills to oust Sulikphaa from omvie throne.
Joymoti ( film) – Wikipedia
But Joymoti Konwari tolerated this persecution without complaint until the last drop of blood in her vein. The film is noted for its constantly changing angles, unique sets built from scratch on a tea plantation, with local materialsand other stylistics tactics employed by the imaginative Jyoti Prasad in this his film debut.
Unable to marshal the actors once again from their native places due to adsamese constraints, he hired a sound studio and dubbed the voices of all male and female characters. The film is set in 17th-century Assam. Joymoti was born in the middle of the 17th-century in Maduri to Laithepena Borgohain and Chandradaru.
The film, shot between and was released by Chitralekha Movietone in and marked the beginning of Assamese cinema. The significant similarities with the Russian montage moovie an element of influence.
Gogoi, Debo Prasad; Bora, Prasanta Set in 17th-century Assamthe film recounts the sacrifice of Joymotian Ahom princess tortured and killed by the Ahom king Borphukan for refusing to betray her husband Gadapani by disclosing his whereabouts.
Retrieved 7 April She was married to Langi Gadapani Konwar, jovie later an Ahom king, Supatphaawho established the Tungkhunia line of kings. It is believed to be the biggest man-made lake in India,  comprising an area covering acres 1. Joymoti happened to be the issue of the first wife Chandradaru, daughter of Lechai Borgohain. But unfortunately, Joymoti did not live to see her dream come true. The first Assamese movie Joymati which was made in by Jyoti Prasad Agarwala featured this story.
Born jai,ati Lai Thepena Borgohain in an obscure village of Mechagarh Maduri about 9 km away from Sivasagar, Joymoti carved a niche in her social status for her virtues like truthfulness, valour, courage, tolerance, patriotism and self sacrifice for the next generations to follow.
The film was the first Indian talkie to have used Dubbing and Re-recording Technology,   and the first to engage with “realism” and politics in Indian cinema.
Video: Joymoti, the first Assamese film, is 80 today
Views Read Edit View history. Joymoti or Joimoti Assamese: He sought out a film-making trio, Ajimati Shankar Mehta and the Faizi Brothers from Lahore, as cameraman and sound-recordists. Retrieved from ” https: Assamese-language films Indian films films Indian biographical films Films set in Assam Assamese-language film stubs. There were eight brick pillars around the temple.
Archived aswamese the original on 28 June To furnish the royal court of the Ahoms, he used regal utensils such as maihanghengdangbhogjarabata, sariyaand banbata.
But she was firm in her decision and would not budge an inch.
The bungalow, where he composed the music for Joymoti on his organ, still stands – albeit in a dilapidated condition. A screenshot of the film actress Aideu Handique as Joymoti.
Archived from the original on Joymoti and Gadadhar Singha’s eldest son Lai succeeded his father. Her son Rudra Singha had Joysagar dug at the spot where she was tortured. History reveals that Lai Thepena Borgohain had 12 wives.
During the Ahom period, a noble could marry several girls as wives. He floated newspaper advertisements for actors and actresses, mentioning brief outlines of the film and descriptions of the characters.
Manju Borah with research-based attempt, has made an effort to redefine Joymoti as a strong personality with courage, conviction and a socio-political foresight. When Langi Godapani came to know about her torture’ he came to Assameae Pathar incognito and implored her to speak the truth.
Over the next few years, he sought shelter at Sattras Vaishnav monasteries and the adjoining hills outside the Ahom kingdom. A Festival of Friendship” Vol. Joymoti – the saviour Assamese: