SANSAMP CHARACTER SERIES REVIEW

The five SansAmp Character Series pedals work both onstage and in the studio. You doubt this is possible? Jazz in Mexico Satoko Fujii: Warm, firm bottom never goes out of style for bass players, and the VT delivers that in spades. From the jangle of mop-top pop to the top-boosted growl of mod rock, this amp style has a voice that shook generations. The California pedal is based on the Mesa Boogie line and lets you dial in sounds from classic clean to the Santana-like sustain of the Mark II on through to the high-gain crunch of the Rectifier series. Then I just started exploring, digging deeper.

This continuously-variable control moves seamlessly between different model voicings, covering vintage, high-gain and face-melting lead tones. There is plenty of gain in this thing, but my favorite things about it are the clean tones. Electric guitarists will confirm that a good pedal has its own feel and personality; it can be a texture as responsive as any acoustic instrument. Packing more metal than Pittsburgh, the U. It all sounds massive DI. The volume, low, mid, high and drive controls, as well as the all-important character knob, are all very sensitive, with broad sweeps through their range, and they affect the tone in ways that are predictably Ampeg-like. Lean into high gain gear for a bare-knuckle growl that retains definition.

While there’s a recognised ‘Fender tone’, there are distinct sonic differences between amps of different periods in the company’s history, and in order to reflect this, the Blonde has a Character control that takes you backwards through time. This continuously-variable control moves seamlessly between different model voicings, covering vintage, high-gain and face-melting lead tones.

Tech 21 SansAmp Character Series Pedals

The Blonde pedal is based on the famous family of amps from Fullerton, California that includes weries models with the black control charactr, or blonde covering, and tweed grille cloth. Level, drive and three-band EQ controls should be familiar to most people, while the character control changes the overall tonal response, attack and drive characteristics. Echo by Keiko Matsui. Also available in 2×12 and 4×10 configurations.

Rhythm guitars made jangly by the Liverpool Pedal kick off the next section.

The Reviwe Bass sounded first-rate with my gut- and steel-stringed upright basses both using Realist pickupsfortifying each note with impact similar to a sandbag hitting a wooden floor.

Upright players of a particular vintage have fond memories of their Bs except for that load-in part -the combination of a sealed cab, inch speaker and tube power created an amplified tone that brought the bass out of the shadows, and competed with Elvin-esque drummers. Stand-alone preamp can drive a power amp, studio mixer, or PA system Plug into guitar amp Plug into computer soundcard.

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Dime the gain to experience the sludgelicious roar of contemporary stoner rock pumping through a 4×12 cab loaded with English Greenback-style speakers. The California pedal is based on the Mesa Boogie line and lets you dial in sounds from classic clean to the Santana-like sustain of the Mark II on through to the high-gain crunch of the Rectifier series.

And the knobs are capital-S Sensitive. There is plenty of gain in this thing, but my favorite things about it are the clean tones. On the other hand, while digital amp modeling whether a standalone unit or a computer-based plug-in can greatly enhance the recording process, many players using them for live work report a decrease in natural dynamics. The Blonde was set just past 12 to churn out some percussive chunk for Chuck Berry and Eddie Cochran rockers. Live gig I tried out the Character Series pedals while playing with my band at a 60th birthday party.

Tech 21 says the Character pedals can be used as part of an effects chain in front of an amp, used as a preamp in tandem with a power amp or PA, or plugged directly into a mixer or computer for recording purposes.

We hope so, when those faces are silver and black and this Blonde rocks pure American tone to the stratosphere. Cranking the character above the middle position brings in a distorted edge that retains a strong fundamental. Metal is here to raise hell and steal your girl.

Tech 21 Character Pedals – Blonde review

The volume, low, mid, high and drive controls, as well as the all-important character knob, are all very sensitive, with broad sweeps through their range, and they affect the tone in ways that are predictably Ampeg-like. Each pedal in Tech 21’s new-for Character range is designed to emulate the classic sounds of a particular brand of amplifiers, but without any model-specific settings.

And I was able to fine-tune it to work in a variety of acoustic spaces. Sparkly, spanky cleans that overdrive with a satisfying low-end rumble become the punchy bark of hard-pushed tweed, maxing out in a fat sizzle of lead boosted tone.

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That distinctive diamond grille tone is yours for the tweaking. I agree, except I would get the whole collection. Effects Pedals Tech Using the drive control, you can dial in a full-tilt, punk-assault bass tone or capture the slightly saggy tube compression that an SVT gives on the brink of distortion.

Tech 21 gave the guitar and bass amp world an extra vigorous spin when it introduced the SansAmp in The tower of power pumping through a stack of inchers is the legendary bass tone for players who enjoy being heard.

Hands-On Review: Tech 21 SansAmp Character Series Pedals | The HUB

Back off for smoky blues or ignite the rage of an uber-gain rectifier. Full Calendar Christian Sands: The Level and Drive controls work like a traditional, well-equipped amp.

Blending this with a clean signal would produce better results. The serries five controls are self-explanatory. There’s a mono input and output, and the pedal can be powered by either a single 9V battery which should last around hours or a suitable mains adaptor. E-mail required, but will not display. Tech 21 purports that the Blonde model they sent to JazzTimes recreates the sought-after sounds of vintage Fender amps: Instead, each pedal has the same set of easily understood controls, including the eponymous Character control, which moves through the range of ‘flavours’ associated with that amp company.

TECH 21 – CHARACTER SERIES

They can also be fed into your existing guitar amp—giving you a virtual wall of vintage and modern amp voices. No more amp envy for me. I put the Blonde and Liverpool pedals in my effects chain while the other guitarist added the California and British to his pedalboard. Blistering distortions and searing lead tones just keep coming; every nu-metal chunk, every modern rock slab.

The legendary crunch of British steel and Greenback-style speakers delivers searing blues to UK anarchy from this Anglo-voiced pedal. You can get a touch of overdrive with this setting, but mostly to add extra bite.