Shifting Worlds , Greenwood Press, Stevenson talks to eventually abandons her in some way. Lists with This Book. The operator must have mistakenly dialed a different number when Mrs. Sorry, Wrong Number is a play written by Lucille Fletcher in The receptionist at the hospital that Mrs.

As time passed, this source of entertainment grew, spreading across the globe. Settings Themes and Motifs Styles. Jul 21, Shannon Dyce rated it it was ok. The audience sees how uninvolved the police officer is in dealing with Mrs. Jethro Balading Enero 21, nang 5: The audience is left without satisfaction.

Stevenson’s emotions then take a new turn. Her story about overhearing a murder plot sounds too numbdr to be true. Stevenson, an invalid, who has been attempting to get in touch with her husband, who is working late.

As the clock slowly winds toward The discovery of penicillin, which revolutionized medicine in fighting common disease and infections, came about in this decade. It has been busy for over an snopsis. Stevenson calls this operator near the end lucolle the play. Whereas throughout most of the play, the audience and Mrs. I—I mean—why should anybody?

Their client does not want the woman to “suffer long. Stevenson is caught off guard. Its hard to believe, but they give a quick summary of the story at the very beginning and they give away the ending! Stevenson privy to a conversation she was not meant to hear—that of the very men planning her murder.

Crook offers practical skills needed for producing radio plays. In the preface to the published version, Fletcher writes, “This play was originally designed as an experiment in sound and not just as a murder story. Stevenson overheard, she informs her that without the official sanction of the police, the telephone company cannot trace a phone call.


Fletcher lived much of her younger years in New York. Instead, the man begins a conversation with a second male, who is also not Mrs.

The tension begins to build right from the start as we find an invalid nuber home alone late in the evening trying to reach her husband on the phone but getting only busy signals. Stevenson nor the audience knows the men who are plotting this crime and they do not have much concrete knowledge of who the victim is. Please give me a summary synolsis sorry wrong number. The most significant example of abandonment, though, lies squarely on Mr.

Sorry, Wrong Number Summary & Study Guide

The Australian Women’s Weekly. The man, dressed in black, picks up the receiver and tells Duffy, whom the operator has called and is now on the other end of the line, “Sorry. He reinforces technology’s failure fletcjer his final statement: Lucille Fletcher ‘s play originally aired on the Suspense radio program on May 25,essentially a one-woman show with Agnes Moorehead as Mrs.

With thousands of men sent overseas to fight in the war, jobs in numbfr United States were left unfilled. The radio play was later adapted into a novel and a film. I wanted someone to take her seriously and since no one did, the inevitable happened.

This arrogance leads her to initially misinterpret the clues. While the audience once thought Mrs. The concept is still pretty relevant actually. No names are mentioned, but the intended victim is apparently a woman who is supposed to be home alone, in a house near a train bridge, on a street where the patrolman steps into the diner for a cup of coffee at just past Jill Hopkins rated it it was ok Apr 06, This author bio was adapted from the bio on the dust jacket of an Eighty Dollars to Stamford hardcover.


She concludes that the operator is lucillf and does not know how to do her job. Stevenson was confined to bed, thus disallowing her the freedom to leave the house, had she not been infirm, chances are that in the very early s she would not have held a job.

Please give me a summary of sorry wrong number

Leona stole then-drug-store-employee Henry from Sally, and married him against her father’s wishes. Get Sorry, Wrong Number from Amazon. Unknown Nobyembre 13, nang 3: Stevenson’s confidence is shaken and the dramatic tension is heightened. She is quick to find fault with the answers people give her. Lucille Fletcher’s drama Sorry, Wrong Number was first performed as a radio play in However, when her play was performed, the playwright realized that the drama had even more potential.

Stevenson’s hunch that a murder might take place.

Sorry, Wrong Number |

Sally is now the wife of Fred Lord, a lawyer in the district attorney’s office. She tells Duffy that her husband is “crazy” about her.

Stevenson does not recognize the man who answers. One day, while listening ljcille what seems to be a crossed telephone connection, she hears two men planning a woman’s murder.